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David Bowie Deid


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I remember watching a Alan Yentob documentary with Bowie and he said that The Serious Moonlight Tour/Let's Dance stuff was the most money he had ever made in his career but artistically it was the worst he had ever been. From what I've seen most of the folk going full Diana on social media love all that Modern Love shit and know feck all about music.

Ironically enough, The studio version of the album Let's Dance contains arguably the best musicians that featured on any his albums.

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Discovered a great live version of it on the Beeb...

http://www.bbc.co.uk/programmes/p03f6gx5

That's braw. Mick Wayne on guitar - another Hull lad. Amazing to think that Brian Matthew is still going.

I think that Bowie began getting his mojo back by '95 & into the 2000s. Outside is scary as but you couldn't accuse the lad of resting on his laurels. Hours is pretty good and I like Reality. Nothing to compare with, say, ten of his albums between '71 and '80 but up there with, or beyond, any of his contemporaries.

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Am down in London for work today so went on a wee detour to Heddon Street, where the Ziggy Starduat cover was shot (I'd already decided to pay it a visit a few weeks back, before he'd died). There's a poignant impromptu shrine that has developed where he was standing for the cover photo, next to the blue plaque on the wall. No football tops that I could see though - just flowers, photos and candles. The fans are obviously a classy bunch ...

Just a short stroll away from where it was recorded at Trident Studios is Soho too.

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He comes across as a genuinely likeable (and even 'ordinary') guy - the self deprecation and the ability to make people feel at ease in their company are often jettisoned by those who ascend fame's slippery slopes and he certainly climbed further than most. Obviously there are lots of facets to anyone's character but I don't get the impression that the 'nice guy' image was forced in any way.

On that note I read a fantastic account written by Allan Jones of meeting Bowie and Lou Reed in a restaurant in the late 70s:

http://bowiesongs.tumblr.com/post/123406690493/lou-is-having-dinner-at-a-restaurant-in-south

Edited by neilser
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I remember the Bowie / Reed incident being recalled in a supplement given away by Melody Maker (late '80s / early '90s - Allan Jones was the editor at the time) - something along the lines of Reed saying 'don't you ever say that again' and then smacking Bowie.

Edit: I've just read the link - a more detailed account of the incident than was in MM.

Edited by Charlie Endell
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He talks to Parkie here about the Hull lads from Yorkshire! :-)) (35:30 in)

Ziggy Starkwright and the Spiders from Hull.

I'd forgotten about 'Everyone says 'Hi'' from Heathen which he performs on that Parkinson show - my memory of the album was that it was dark, but that's a sweet track. That album and its follow up Reality contain some interesting covers too. Heathen has a version of The Pixies' 'Cactus' - bit of a dodgy version here with Moby, and Gail Ann Dorsey in a wig:

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He talks to Parkie here about the Hull lads from Yorkshire! :-)) (35:30 in)

Really enjoyed that. Never seen it before., what a crackin lad.

Also anyone else think Bowie had a touch of the Benjamin Button about him? Definitely got better looking as he got older.

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l see that Bowie had an estate worth £70 million spilt between his family l would imagine that his family will earn similar in death did elvis Presley no earn more in death than alive due to massive royalties

Just read the article

http://www.bbc.co.uk/news/entertainment-arts-35449063?ocid=socialflow_facebook&ns_mchannel=social&ns_campaign=bbcnews&ns_source=facebook

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Agree about Young Americans, and also think that you should give TMWSTW another listen. It is different, but has a lot going for it.

This is one of my favourite Bowie albums at the moment - woke up on Saturday morning with the opening track in my head - I'd no idea why until I worked out I'd come home from a night out and stuck TMWSTW on - I just hope the neighbours like Bowie... It's certainly not his most experimental album but it's pleasingly weird.

I'd go as far as to stick it in my top five Bowie albums along with Low, Heroes, Station to Station and Blackstar.

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